Thursday, 27 September 2012

final presentation

last day of class we had to present out projects in one table setting like a buffet setting.

here is how to do the setting.

1. get a cloth, big in size to cover the table.
2. get a few pieces of stands or maybe left over styrofoam big pieces to use as a base.
3. arrange the styrofoam pieces or stands on the table in order of what you want to present and where you want to present it.
4. cover everything with the cloth. and make sure it is fully covered.
5. arrange the items nicely and using your own creativity to place them where.














chocolate sculpture

Modeling chocolate is a chocolate paste made by melting chocolate and combining it with corn syrup and/or a simple syrup. Primarily used by upscale cakemakers and patisseries to add decoration to cakes and pastries, modeling chocolate is formed into a variety of shapes and structures that cannot be easily accomplished with other softer edible materials such as buttercream frosting, marzipan, or fondant. Modeling chocolate can be made from white, dark, semi-sweet, or milk chocolate.

to start with chocolate sculpture, create a styrofoam base. use the styrofoam carving steps.

1. when you have a styrofoam base make sure it is not hot so that the chocolate will not melt.
2. then prepares the modelling chocolate mixture.
Recipe:
200gm chocolate
80gm of corn syrup
cocoa powder
3.melt the chocolate over a double boiler. then add in the corn syrup and mix properly
4.when you mix it properly, it should be able to form a dough. if cant then add in cocoa powder bit by bit.
5. next is to cover the styrofoam in chocolate in the shape of the carved styrofoam.
*tip: make sure all your pieces are hold together with a dowel or a stick so that it can support the weight of the chocolate,
6. when everything is covered with modeling chocolate, smooth out the surface of the chocolate using a spatula.
7. lastly decorate your piece with chocolate shavings, chocolate templates and etc.



Wednesday, 26 September 2012

sugar sculpture

Sugar sculpture, the art of producing artistic centerpieces entirely composed of sugar and sugar derivatives, is an art that is rapidly garnering support.Sugar showpieces can be composed of several different types of sugar elements. All begin with cooking sugar, and possibly an acidic agent and/or non-sucrose sugar product to avoid unwanted crystallization, to the hard crack stage, around 300 °F(149 °C).When all components are completed, they are welded together using a gas torch. The sugar is melted, and then joined together.


Pulled sugar

Once the sugar has been cooked, the now-liquid sugar is poured onto a silicone rubber mat (e.g., Silpat). Any coloring is now added. The sugar is then folded repeatedly into itself, until the sugar is, while still flexible, cool enough to handle. The sugar is then stretched out and then folded on itself repeatedly. This process incorporates air into the sugar, and gives it a bright lustery sheen. The sugar can then be sculpted by hand into various shapes, made into ribbons, or blown.

Blown sugar

In blown sugar, a portion of pulled sugar is placed on a rubber pump which is tipped with either wood or metal. Pumps are most commonly hand pumps. While being blown, the sugar can be shaped, often into animals or flowers. Blown sugar cannot be quickly cooled by dipping it in water, so chefs must use fans to cool the sugar, all the while rotating it, so that it does not come out of shape. This technique is very useful in making balloons for wedding cakes

Cast sugar

In this technique, sugar is poured into molds. This technique produces more sturdy pieces than pulled and blown sugar, and is almost always used for the base and structural elements of showpieces.

Recipe
tartaric acid 3 drops
sugar 1kg
liquid glucose 250gm
water 400ml
coloring 2 drops

Steps 
1. heat up the sugar and water until the sugar melts.
2. at the same time heat up the tartaric acid until its is fully dissolved.
3. then add the tartaric acid to the sugar mixture and stir.
4. then add in the glucose and heat it until it thickens. add the coloring and stir properly
5. then pour the mixture on to a silpat and wait for it to cool for a moment.
6. then fold in the sugar and work the mixture until it is semi solid where it is easy to stretch and can form into a ball or log at the same time.
7. stretch the mixture then roll it up again. repeat until the color is glistening and almost like transparent.
8. the dough now can be stretch to make into shapes, petals, leaves, and other things.
9. you can also pour the mixture after taking it off from the stove and pour to make into certain shapes or maybe pour into a mold.
10. when all the pieces have been completed, assemble them using a blow torch to make them stick. 

Sunday, 23 September 2012

Pastilage

Pastillage is a strengthened paste which is recommended for creating structures such as buildings, models, ornaments, boxes and cards etc. as it is very strong and hard when dry.
Pastillage is not created by boiling sugar. Pastillage is a packaged sugar compound similar to gum paste. However, pastillage can be created using confectioner's sugar, water and gelatin. This compound dries out quickly, so sugar artists must move fast when sculpting with pastillage. When the pastillage has dried, it becomes brittle, however, if further sculpting needs to be done with this compound, sugar artists can use sanders and grinders to shape it.


pastillage recipe
  • 1 lb. powdered sugar (sifted) (4 cups)
  • ½ C + 1 ½ T Cornstarch
  • 1/4 C water
  • 1/4 tsp Cream of Tartar
  • 1 unflavored gelatin pack, about  2  1/4 tsp

1. Soak the gelatin in the water, then heat up the gelatin until it is fully dissolved. in a mixer, combine the sugar, cornstarch and cream of tartar and mix. then pur in the gelatin slowly. if the mixture is moist then add more cornstarch. the mixture should be firm.
2. To colour it, just add a concentrated paste colour and knead in.

3. Roll out to thickness required (as thin as possible) and cut out taking care not to drag your knife through the paste, as this could cause wrinkles in your paste. Use a a mold for pieces you want create with for example a fire which is my inspiration. Place the mold on top and cut around it.
4. This is a paste that dries out very quickly when exposed to air so keep well covered whilst working with it. You do need to work as quickly as possible with it. When cutting it, cut on a metal tray for easy transporting the pastillage.
5. It should be left to dry for a minimum of 24 hrs at room temperature, depending on thickness/ shape/ size of pieces.
6. If only one side dries at a time there is a tendency for it to warp/buckle. It is a good idea to turn it over every few hours while drying anyway.
7. When all the pieces have hardened, piece all of them together to form a sculpture. use a glue gun or use royal icing which hardens really good.







Read more: About Sugar Sculptures | eHow.com http://www.ehow.com/about_4780756_sugar-sculptures.html#ixzz27HZrGGp6

butter sculpture


started out by sketching a two-dimensional design of the fish on the Styrofoam. Here are the steps to carve Styrofoam.

1.Decide on a shape. Before you begin to carve a piece of Styrofoam, you need to have a good idea of what you want to create with it. You can draw out a template on cardboard or simply sketch something out on paper. This will help you develop a plan of attack when it comes time to do the actual carving. For our sculpture, I drew a 2-dimensional sketch of  swan from the right and left side view.



2.Start with the bigger cuts. Once you have an idea of the shape you want, begin by cutting large chunks of Styrofoam off to get close to the end result. You can use a serrated knife for the large cuts; if the Styrofoam is really thick, try an electric knife or hot wire tools. Cut the excess Styrofoams off to make it easier to work on the details later.



 3.Do some detail work. Once you have the general shape cut out, you need to go in and do the detail work. This can be done with a smaller serrated knife and a little bit of patience. A craft knife is also a good choice for the detail work. We mostly used craft knife to cut in sections such as the tail, for larger details before moving on to the texture. 



4.Create some texture. If you want to create some texture, there are many specialty tools designed to help you carve Styrofoam. Some can help you create circles, while others can help you create texture or designs in your foam. To create a smooth texture use sand paper all around the sculpture so it'll be smooth
.

5. Then cover the whole styrofoam with butter. I use pastry butter as the butter is harder to melt compared to normal butter. Spread an even layer on the styrofoam and keep it as this a possible but making sure it covers it all except for the middle body. 


6. Lastly for the middle of the body. make small butter ball and place them on the middle of the body. Then gently press from the middle of the ball to the out. This will create a scale effect on the fish body. 





Styrofoam sculpture

started out by sketching a two-dimensional design of the swan on the Styrofoam. Here are the steps to carve Styrofoam.

1.Decide on a shape. Before you begin to carve a piece of Styrofoam, you need to have a good idea of what you want to create with it. You can draw out a template on cardboard or simply sketch something out on paper. This will help you develop a plan of attack when it comes time to do the actual carving. For our sculpture, I drew a 2-dimensional sketch of  swan from the right and left side view.



2.Start with the bigger cuts. Once you have an idea of the shape you want, begin by cutting large chunks of Styrofoam off to get close to the end result. You can use a serrated knife for the large cuts; if the Styrofoam is really thick, try an electric knife or hot wire tools. Cut the excess Styrofoams off to make it easier to work on the details later.



 3.Do some detail work. Once you have the general shape cut out, you need to go in and do the detail work. This can be done with a smaller serrated knife and a little bit of patience. A craft knife is also a good choice for the detail work. We mostly used craft knife to cut in sections such as the tail and the neck part, for larger details before moving on to the texture. 



4.Create some texture. If you want to create some texture, there are many specialty tools designed to help you carve Styrofoam. Some can help you create circles, while others can help you create texture or designs in your foam. To create a smooth texture use sand paper all around the sculpture so it'll be smooth


5. lastly paint the sculpture if you want to or just leave it plain white. I painted mine red, pink, orange and yellow to make it the look like the colors of fire.












Sunday, 16 September 2012

history of butter sculpting


butter sculpture has its origins as centerpiece displays for Renaissance banquets. Eventually, in the 19th century, it moved from the table to the display case when it became a chief advertising tool of the newly-industrialized dairy industry. It was exhibited at state fairs, international expositions and at numerous national and international dairy congresses and meetings.


The method for sculpting in butter is similar to that for clay modeling, a metal or wooden frame provides a structural base and the butter is wrapped around it. Sculptors usually work within a refrigerated case or in a cold room. People always want to know what happens to the sculpture afterwards, some sculptor stores the butter and re-uses it for four or five years. Sometimes it is recycled for animal feed or other manufacturing processes.
Another common question is how long the butter sculptures last. Some of the big international show can last as long as eight months, but most butter sculptures at state fairs have to be on display for only two weeks. The sculptors use regular butter and it’s the fat and the cold that makes it possible to sculpt. Margarine is too sticky.



History

The Iowa State Fair has boasted a “Butter Cow” since the early 1900s. The origins of butter sculpting, however, are far older than that. Nearly 20 years before Columbus discovered America, Tibetan monks used yak butter to create figurines of animals and deities for worship. Since then, this humble craft has evolved into high art.

In 1911 J.E. Wallace of Florida sculpted the Fair’s first butter cow and was succeeded by Earl Frank Dutt of Illinois. Norma “Duffy” Lyon of Toledo, Iowa, continued the legacy, becoming the third person and first woman to sculpt the Fair’s butter beauties.

In 2006, after 15 years of apprenticing with Duffy, Sarah Pratt of West Des Moines became the Fair’s fourth butter sculptor. In addition to her first Butter Cow, Pratt also crafted Superman of “Superman Returns” (Norwalk, Iowa, native Brandon Routh, who starred as the man of steel) and “Mr. State Fair” Bill Riley (in honor of his 60th Fair).

The Butter Cow starts with a wood, metal, wire and steel mesh frame and about 600 lbs. of low moisture, pure cream Iowa butter. Once inside the 40-degree cooler, layers of butter are applied until a life-size butter cow emerges – measuring about 5-1/2-ft high and 8-ft long. Each year features one of the six major dairy breeds – Jersey, Ayrshire, Brown Swiss, Holstein, Guernsey and Milking Shorthorn.

While a real dairy cow weighs more than 1,000 pounds, a 600-lb. butter cow would butter 19,200 slices of toast and take an average person two lifetimes to consume, according to sponsor Midwest Dairy Association. Much of the butter is recycled and reused for up to 10 years.

According to Wikipedia:
 “Butter sculpture is an ancient Tibetan Buddhist tradition. Yak butter and dye are used to create temporary symbols for the Tibetan New Year and other religious celebrations. In North America, the tradition of butter sculptures dates back to the 19th century at agricultural and state fairs in the United States. Shortly after the end of World War II, the Ontario Cream Producers Marketing Board and the Dairy Producers of Canada began a campaign to promote their products. Butter sculpting was initiated as part of this campaign along with the slogan “It’s better with butter”. This was intended to increase butter’s market share in competition to the high-powered advertising for margarine in the late 1940s.”